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Tiffany’s News
© 2004 Tiffany’s Dance Academy. All rights reserved
Have you ever wanted to see the
California coast up close?
Now’s your chance! This summer, Steffon Long – Co-Artistic Director of BAD
COMPANY and Paul Henderson - President of the Board of Directors - will set out
on their bikes to ride from San Francisco to Santa Monica. See the route at
www.onebadcompany.org.
The 460 mile trek will begin in
San Francisco on June 21 and end in Santa Monica on Friday, June 26. This
fundraising event, otherwise known as BAD TRIP, will benefit BAD COMPANY, The
Health Trust, and the Lance Armstrong Foundation.
If you would like to ride, start
training now!!! Call
Paul at (925) 456-0774 for group training ride info.
If you would like to support a
rider and these non-profit organizations, please make a donation by pledging
money per mile that your favorite rider completes. For more information on The
Health Trust, and the Lance Armstrong Foundation, please visit their websites:
www.healthtrust.org,
www.laf.org.
Lodging in Santa Cruz, Big Sur,
Pismo Beach, Ventura and one night in Santa Monica is included; however all
riders must provide their own support (food, spare parts, etc…) A spacious 33’
trailer will follow the peloton should anyone need a place to crash…in an
emergency. Note: A sore backside and tired legs does not constitute an
emergency. Several spouses are planning to drive from one hotel to the next to
make a family vacation out of the bike trip. Cyclists will ride from 4 to 7
hours per day and arrive at each hotel in time to lounge around poolside (or
Oceanside) with family and friends. It will be great fun and low-stress. Each
rider must obtain a minimum of $1500 in donations from family, friends,
neighbors--and acquaintances you barely know--to participate.
-by Steffon Long
When discussing syllabus
work, Vaganova (Russian), Cecchetti (Italian), Bournonville (Royal Danish),
Royal Academy of Dancing (English) or School of American Ballet (NYC BAllet) it
is important to consider that we are talking about methods of educating dancers
based upon a number of factors that do not apply to dance schools and dance
programs that must accept all students wishing to enroll in dance classes
regardless of the student's body type, natural facility for classical ballet or
given talent.
The large professional
ballet schools that have developed the above mentioned "methods" of teaching
have always had the luxury of being able to select the bodies that they consider
most ideal for the study of classical ballet. Many attempts have been made to
define the perfect body for classical ballet, but the perfect body is more of a
concept than a fact. The major schools define the "ideal body" for classical
ballet as having 180 degrees rotation in the hip joints, flexibility and
strength of the spine in equal proportions, and bones that hang in a straight
(plum) line from the top of the head to the tips of the toes.
In actuality it is good
scientific training from knowledgeable teachers that can bring a dancer to a
high level of technique and artistry. What in fact makes for an ideal dancer is
a student with a natural kinesthetic sense (a feeling for movement), natural
coordination, and an agile quick mind that can comprehend and work towards
movement goals assigned throughout the various levels of training. Also
important are determination, commitment and passion - - a burning desire to
dance. It is more of a question of what is going on inside of the dancer's
entire being than whether or not they have the "ideal" body type. There are
countless dancers with the so-called "ideal body" type that just do not have
what it takes emotionally, intellectually or artistically to become successful
professional dancers.
During the last 34 years
I have worked with many dancers who did not have bodies ideally suited for
classical ballet, but who had been able, with good scientific training, to
overcome physical limitations and become beautiful and successful professional
dancers. This is where the educated, dedicated teacher rises far above the
limitations that syllabus training can impose.
In my work I seek out the
"individual" in each dancer. I study carefully their physique, physicality,
sensitivities and kinesthetic awareness. I work with each dancer to find ways to
help him or her overcome what may seem like physical limitations in order to
enhance their creativity and artistry and lead them to a classical technique
that will work effortlessly for their body. My primary goal as a director,
teacher and choreographer is to help each dancer find his or her self through
the study of classical ballet and the related disciplines of music, film, art
and literature.
Next month we'll talk
about my plans to educate these young dancers about dance history and how it
relates to the history of the world that they live in.
Thanks,
and dance well! Steffon
Look for the article and
pictures in the Arts Section of the SF Chronicle Friday, March 5th.
Don’t forget to attend the BAD COMPANY Open House event on Monday, March 8th
from 6pm – 9pm. Prospective board members, parents and fans of dance will sit
in on ballet and jazz classes and gather for wine, appetizers and information.
Steffon Long, Paul Henderson, and Tiffany Henderson will explain BAD COMPANY and
what it means to Tiffany’s Dance Academy and the Bay Area.
We are excited to tell
you that we have been working with a dancewear designer and manufacturer over
the past several months.
We have designed two
leotards for our Twinkle Babies, Twinkle Stars and Combo classes. These
leotards are very high quality, stylish (pink with black edging for combo class,
black with pink edging for Twinkle Babies and Stars), and inexpensive. Samples
will be available at the studio by the end of March. We will require our
younger dancers to wear these leotards during class next fall. It is proven in
many studies that uniformity in class creates better, more disciplined dancers.
Of course, if you have
recently purchased new leotards, you may wear them until they wear out or are
too small-then switch to the TDA Leotard.
We also realize that part
of the magic of dance for young children and their parents is dressing up in
very cute and unique dance outfits each week. We realize that many of our
dancers still want to dress up, so to accommodate them, dancers may wear
whatever they desire on all Parent Observation days at the studio (approximately
once per month). These leotards will be available for purchase at TDA Day on
April 24th.
Last month we told you
about TDA Day…an exciting day enabling you to (1) select your June Concert
tickets, (2) register for next season, and (3) pre-order next season’s dancewear
ahead of time at a great discount. We have included an order form for your
dancewear with this newsletter for your convenience. We are anticipating an
enormous turnout on TDA Day and this form will virtually eliminate your need to
stand in line to select your dancewear.
We are urging, urging,
urging you to complete this form and fax it in to us no later than Wednesday
March 31st. This will help us ensure that we have everything in
stock and ready for you to pick up on TDA Day.
Remember, the advantage
to ordering your dancewear through Tiffany’s Dancewear on or before 4/24 is that
your registration fee for next year ($15) will be waived. Also, you will
receive a 15% discount on your dancewear Value Menu purchases at TDA Day!!! Of
course, should your dancer grow between TDA Day and the start of summer or fall
classes, we will happily exchange your dancewear for the correct size. Please
complete the form and either fax, mail, or hand-deliver it to Tiffany’s Dance
Academy so we can order your supplies.
Beginning April 26th,
Tiffany’s Dancewear’s regular store hours shall be Monday thru Friday 10 a.m –
12 noon and 3 p.m. thru 6 p.m. The store will be open from 10 a.m. to 1 p.m. on
Saturdays and closed on Sundays.
The summer schedule has been finalized and we are now accepting
registrations. Inquire at the office.
PARENT NIGHT OUT – THE GREATEST IDEA
WE’VE EVER HAD
With the help of the TDA
Performing Company members and their parents, PARENT NIGHT OUT was born late
last year. Imagine, you are the parent of 1, 2, 3, or, God Forbid, 4 or more
children. You feel like you haven’t spoken to your spouse in months. You need
a break!!!
To combat the challenges
of parenthood, Parent Night Out is the answer. For a nominal donation (it could
be $1000 an hour and it would still be worth it), you can drop ALL of your kids
off at the Livermore dance studio where they will be entertained by a crew…and I
do mean crew, of TDA Team Dancers and parents who will entertain
them. Next available dates:
-
Friday, March 5th,
2004,
-
Friday, April 2nd,
2004,
-
Friday, April 30th,
2004
Sign up in the lobby
or call Barbara.
Dad / Daughter Dance–
subject to change March 13, April 10, May 15 – times for age groups pending.
Parent Volunteers are the
backbone of any good school. Without them, we could not function and there
would be no way to manage the 500+ dancers who perform in the annual concert in
June. Plus, the real reason (we know the real reason) for volunteering is that
all volunteers get to purchase their concert tickets one day before the
non-volunteers. This is important because Chabot only seats 1400 per
performance. We run the risk of selling out!
If you’d like to
volunteer, check with Barbara at the front office…and sign up for Parent Night
Out while you’re at it.
Invitations to become a
member of the performing company will be sent to students who qualify in the
next few weeks. Contact Tiffany if you do not receive an invitation and feel
you are qualified for consideration.
There will be a meeting
for prospective TDA Performing Co. members on April 5th at 7 p.m. at
the Livermore studios. The meeting is designed to give parents and dancers an
understanding of what is involved with being on the Performing Co.
Reminder:
current Performing Co. members must complete appropriate summer camp.
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