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Copyright © 2001-08 by Tiffany's Dance Academy, Inc. All Rights Reserved.

"Dance Like a Professional..."

For more information, contact info@tiffanydance.com or

(925) 447-5299

 

 

 

Summer Info: Camps and Classes

Students enrolled in Summer Camps and/or Classes will be given first priority for Fall Registration.

Cruise

we need one more couple to go on the cruise.  Any takers?  Call (925) 447-5299 for more info.

 

La JAZDANZ Too!

-Professional Dance Company in the East Bay-Inaugural Concert May 10th

Help!  Starting a professional dance company is not easy.  There is enough work getting this off the ground for a team of seasoned veterans!  We have reserved the theater in Pleasanton and now we need to fill it!  Typically most professional dance companies rely on donations from corporations.  While we have our fair share of donations, we still need additional funds to pay for costumes, theater, crew, choreography, and dancers.  Yes! Dancers can actually get PAID to dance!!!

If you would like to help, please send $25 to La JAZDANZ Too!  4046 East Avenue, Livermore, CA 94550.  You will be given two free tickets to the show on May 10th and be entered into our drawing for free backstage passes.

The backstage pass allows the winner to hang out with the professional dancers during dress rehearsal and before the actual show.  They will get to ask questions and learn from dancers who have made a living dancing.

Please tell all your friends to come to the show.  Tickets are on sale at Tiffany’s Dance Academy.  Call 447-5299 for more details.

Dance show wows viewers!

by Ann Nicholas

Special to the Times

      Now which is it? " While  visions of Girlinghouse danced in their heads..." Or was it "...visions of Vega?"

     Regardless, there wasn't a sugarplum (or tutu) in sight Friday night at the Strand as La JAZDANZ, Louisiana's only professional jazz dance company, gave its fifth performance to Shreveport audiences. And no one missed them.

     Aaron Girlinghouse and Frank Vega, creators and artistic directors of the company, brought local and internationally known  dancers and choreographers together for an amazing evening of dance. Eight performances of varying styles comprised the La JAZDANZ concert - and the audience was smitten.

     The most interesting offering of the evening was brought by guest artist Eddy Ocampo. Ocampo, who is director of the Giordano Dance Center in Chicago, gave local audiences his Black Binasua, a novel work using lights  and primitive music themes in a most unusual piece. The audience was intrigued.

     The evening opened with Brand New Day, in which director Vega set his sensual, sweeping  choreography on eight of his excellent corps members to music by Sting. This suite of  four dances was perfectly fitted to the music, selection and introduced company artists Katie Currow, Amy Giblin, Curtis Goodman, Steve Kincade, Elizabeth Mendell, Joey Tarwater, Jessica Touchet and Brian Young.

     Recycle was offered next, with choreography by Girlinghouse and Vega. This work was set on and featured  the Dance Arts Studio company of Amanda Baker, Michelle Brekelbaum, Sharon Gilgenast, France-Claire Hebert, Cheryl Krause, Erin Middleton, Kelsey Richter and Karla Sonnier. These young company members   wowed the audience  in this intricate techno piece - a study of movement and patterns. Effective lighting by Rick Mason and minimal costuming aided the success of this work.

     Music by Prokofiev, Samuel Barber and Evard Grieg combined  with choreography by both Vega and Girlinghouse in Industria, a black-on-black performance piece with pure interpretation.

     The eight company members met the challenge of "Once more-with no feeling" in this extremely enjoyable work. Shreveporter Amy Love was featured in the solo piece Cryin' Shame, with choreography and staging by Frank Vega to music by Lyle Lovett. Leggy Love's performance of the work set to the bluesy jazz classic jumped off the stage  with attitude.

     One of the audience's favorite works was Ready Set Go. Pattie Obey set amazing athleticism to music by Woody Herman. The nine-dancer corps was adorable. This work looked good on all the dancers - male, female, tall and small, wispy and waspy alike.

     5&8, a work loosely based on Feng Shui - the universal energy that involves all things - put the company and the apprentice company together in a controlled, beautiful work from the combined minds of Girlinghouse and Vega. La JAZDANZ puts on a great show.